Chinese Pictographic Characters


V. Different Styles






1. Medival


The below-depicted styles were three of the most popular styles before the modern times. The first
example (on the left) is from Wang Xizhi's book "Caojueshu", which was one of the two best examples of the cursive style of that time. The middle example (Zhuan style) is slightly older. Not surprisingly, we can therefore readily discern elements of shape that reflect the original object of the character. This style is still used widely for stamps and seals. The Li style (shown below on the right) was also a popular style in the pre-modern times, and remains so now with art workers.




(A) Cao/Cursive style

(B) Zhuan style

(C) Li style

 


2. Modern -- Traditional Style

The following style -- the traditional style -- was used by all Chinese. After the cultural revolution in China, however, this style was widely changed into the simplified style. Nowadays, the traditional style is still maintained by the people of Taiwan, the people of Hong Kong (although this may not be the case after 1997), some of the Chinese people of Singapore, and a large number of Chinese outside the Mainland. The most special characteristic of the traditional style is that it is generally written from left to right and top to bottom. The following examples best explain it.

(1)book

(2)newspaper

 

3. Modern -- Simplified Style

 

The simplified style is basically used by the people in PRC (Mainland China). The most obvious difference is that simplified characters are formed from subcomponents that are artificially assigned to represent the sounds used in the speaking of the word or words represented by the character (traditional Chinese characters are not phonetic). The simplified style is also written the way English is written (i.e. left to right, and top to bottom).


(1)book

(2)newspaper




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