Washington Calligraphers Guild
Snapshots from recent workshops

Workshop participants The Washington Calligraphers Guild offers weekend workshops in the spring and fall, taught by internationally renowned calligraphers as well as local talent. Aimed at all levels of skill, the workshops are held at various locations in the Washington, DC area. Below are photos taken at selected workshops.

At right: Guild members (from l.) Vicki Futscher, Lorraine Swerdloff and Esther Washington at a WCG workshop in 1999.



Sheila Waters' "Basic Italic" workshop:
Anne Harrison Henry Tham
Sheila Waters Sheila Waters
Sheila Waters' March 2000 workshop;
photos by Lorraine Swerdloff.

Peter Thornton's "Contrast: The Magic Ingredient" workshop:
portion of Thornton artwork Peter Thornton
Peter Thornton's May 2000 workshop;
photos by Shelly Freishtat.

Kate McKulla's "Luminous Layering" workshop:

Kate McKulla (seated on left) guides WCG members in experimenting with the "luminous layering" of Ziller inks in an April 2000 workshop. Kate lettered the Guild's name at right. Below, participant Sally Phillips creates "joy" with Ziller inks.

Ziller class by Kate McKulla
Sally in class by Sally Phillips


David Meckelburg's "Enlivening Your Italic" workshop:
Meckelburg workshop Meckelburg italic
Meckelburg sample Meckelburg samples
Leve workshop
Above: David Meckelburg (seated) enlivened the italic alphabet for WCG members in two November 1999 workshops
(photos by Dottie Gray and Shelly Freishtat).

Left: Patty Shaivitz Leve (seated) taught Hebrew lettering in October 1999 (photo by Lorraine Swerdloff).


Karen Ter Haar's "Flatly Floral" and "Lose Your Marbles" workshops:

Karen Ter Haar by Karen Ter Haar

During her fall 2000 workshop tour of the U.S., Australian artist Karen Ter Haar (top left) showed WCG members how to use flat lettering brushes and strokes to create floral motifs for their art. "Kaz" created the bamboo piece at top right. Above, participants (from l.) Cynthia Campbell, Louise Harris, Sandeep Makkar and Maureen Murray practice the strokes. On the following day, Kaz taught two marbling techniques. Below, Dianne Garrett (l.) and Sandeep Makkar (r.) pull newly marbled paper from their ink baths. Garrett Makkar


Jean Brinton Jaecks' "Raised Gold Leaf Letters" workshop:

Jean Brinton Jaecks, whose artwork is shown at left, conducted a December 2000 workshop on the materials and techniques used by medieval manuscript illuminators. She guided participants as they created their own decorated initial caps, such as the one at right by Ann Pope (actual size 2 x 2 3/4 inches).

Jean Brinton Jaecks cap Ann Pope cap


Back to Meetings, Classes and Workshops

Logo at top of page by Rose Folsom.