
Pardon me while I butcher the ones who murder me in dreams.
Other Sites in Brighter Cells
For solipsists only: a perversely narcissistic
My story, "Dressed To Kill Yourself," as it appears
in Postmodern
Culture:
My story, "Cadaver Scan," as it appears in the 9/95
issue of The
Mississippi Review Web:
Sample the grizzled glace I churn with those soda-jerks
of detritus, B. Kold and
C. X. Hunter. Gape at the clotted glockenspiels beneath our:
Reviews and Interviews
Read a transcription of my interview with Lynne
Tillman, part of which appeared in Cups
Magazine:
Rational Velvet
Read an uncensored transcription of my interview
with Darius
James, parts of which appeared in Cups
and Nobodaddies:
That's Blaxploitation!
Read my review of Dennis Cooper's collection of
perfect
stories and essays,Wrong, as it appeared in American
Book Review:
Wrong
Read my review of John Shirley's courageous horror
novel about
addiction, Wetbones, as it appeared in American
Book Review:
Wetbones
Inside The Dome:
Poe's houses are skulls: Room=Color=Theme
For more research into Poe, sociology,
magic and music composition,
see my story, "Val Demar's Pear", soon to be published as a
chapbook by
Permeable
Press
Additional Notes On Matterland
Literal violence is reprehensible in any form.
Fictional violence is metaphorical and is censored by those
who fear
not behavior but the imagination itself. Acts mean only their
effects and
repercussions. Fiction is metalanguage and therefore ambiguous:
it is
subject not to censorship but to interpretation.
(Ideally, consecutive words should materialize on the screen
letter
by letter, accreting into sentences and paragraphs until the
selected space
reaches its phrased or punctuated close. At that time, the text
should vanish
and all words in boldface (that serve as keyed links) remain,
glimmering like
Cheshire grins until the reader selects a single lingering keyword.
Such a
script would be preferable to this one, because people whose
synapses are
shaped by video games find normal hypertext scripting static.)
©1993, (S)crypt Carnographies, Ltd.
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