At the River I Stand

Memphis, Spring 1968 marked the dramatic climax of the Civil Rights movement. At the River I Stand skillfully reconstructs the two eventful months which transformed a local labor dispute into a national conflagration, disentangling the complex historical forces which came together with the inevitability of tragedy in the death of Dr. Martin Luther King Jr. The 58 minute documentary brings into sharp relief issues which have only become more urgent in the intervening years: the connection between economic and civil rights, the debate over violent vs. nonviolent change, and the demand for full inclusion of African Americans in American life.

Memphis's 1300 sanitation workers formed the lowest caste of a deeply racist society, earning so little they qualified for welfare. In the film, retired workers recall the fear as they took on the entire white power structure when they struck for higher wages and union recognition.

But local civil rights leaders and the black community soon realized the strike was a struggle for economic justice for all African Americans. Stirring historical footage shows the community mobilizing behind the strikers, organizing mass demonstrations and an Easter boycott of downtown businesses. The national leadership of AFSCME put the international union's full resources behind the strike. One day a placard appeared on the picket lines which in its radical simplicity summed up the meaning of the strike: "I am a man."

In March, Martin Luther King came to Memphis as part of his "Poor People's Campaign" to expand the civil rights agenda to the economy. The film recreates the controversies between King's advisors, local leaders, and younger militants which led to open conflict. When young hotheads turned King's protest march into a violent confrontation with the brutal Memphis policy, King left the march.

King and the nation realized his leadership and his non-violent strategy had been threatened. King felt obliged to return to Memphis to complete a nonviolent march despite the by-now feverish racial tensions. The film recaptures the driving sense of foreboding as King delivered his final "I have been to the mountain-top" speech. The next day, April 4. 1968, he was assassinated.

Four days later, thousands from Memphis and around the country rallied to pull-off King's nonviolent march. The city council crumbled, and granted most of the strikers' demands. 1300 sanitation workers had shown they could successfully challenge the entrenched economic structure of the South.

The fires of Los Angeles, endemic inner city unemployment and the growing disparity between rich and poor make clear that the issues Martin Luther King raised in his last days have yet to be addressed. At the River I Stand succeeds in showing that the causes (and possibly the solutions) to our present racial quandary may well be found in what happened in Memphis. Its riveting portrait of the grit and determination of ordinary people will inspire viewers to rededicate themselves to racial and economic justice.




African American History
Civil Rights History
Labor History
Social and Cultural History
Social Movements and Change

1994 Erik Barnouw Award for Best Documentary, Organization of American Historians

"One of the most clearheaded, evenhanded documentaries about the civil rights movement you'll ever see, and a piece of gripping storytelling as well."
--Dallas Observer

"An excellent film on the movement which drew Martin Luther King to Memphis and his death. It reveals how the black and labor movements both win by struggling together!"
--Julian Bond, Chair, NAACP

"The struggle and triumph of dignity over injustice is the luminous tapestry of all great social movements. At the River I Stand is an inspiring visual testament and a call to witness to every viewer."
--Gerald McEntee, President, AFSCME


"More than any other Civil Rights documentary, this is a deeply emotional, riveting narration of black working-class resistance that speaks to the current crisis and jars our collective memory. To see these determined, dignified sanitation workers and to witness the Black Memphis community's solidarity with the strikers was enough to bring tears."
--Robin D.G. Kelley, New York University

"Has all the impact of Eyes on the Prize. It would seem almost inconceivable not to acquire this video. Beautifully conceived, produced and presented."
-- Video Rating Guide for Libraries

"An eloquent and powerful work of history...offering new insight into the intersection of race and class."
-- 1994 Erik Barnouw Award, Best Documentary, Organization of American Historians


Directors: David Appleby, Allison Graham, Steven Ross
56 minutes, 1993

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