Le bouillon d'awara (Awara Soup)

Awara Soup introduces us to what must be one of the world's most multi-cultural communities, a global village in the backcountry of French Guyana, an overseas department of France perched on the edge of South America. Three hundred years of world history intersect in Mana, a town where 1500 people speak 13 different languages and live together in remarkable harmony. Awara Soup reveals that "creolization" is not just an historical artifact but a dynamic, on-going process, encompassing more and more of the world's people.

The film's title comes from a local Easter specialty, a kind of gumbo based on the fruit of the awara palm, which functions as the film's symbol for Mana's polyglot society. There are as many recipes for awara soup as there are people and, "it can include virtually any ingredient in the world." The cooks warn if it's made too quickly it can cause serious indigestion, but once you've tasted it you'll return.

As in the producers' previous documentary on Malagasy oral tradition Angano...Angano... (also available from California Newsreel), the characters narrate their own stories, the stories of their own Guyana. We meet descendants of indigenous Galibi Indians, of Bushnegroes who escaped slavery in the jungles, of mixed race Creoles who remained in the French towns and of Javanese contract rice laborers, as well as more recent immigrants, Taki Taki-speaking refugees from political strife in next-door Surinam, Brazilian migrant workers and Hmong farmers resettled after the Vietnam war. Awara Soup comments subtly on the xenophobic debate raging in France (and this country) over immigration. A Javanese healer, born in Surinam, now a French citizen, observes: "People are like birds; they go where they can eat. For them, there is no Surinam, no Guyana."

Awara Soup suggests that the key to Guyanese harmony may be its fluid sense of national identity, neither assimilationist or traditionalist but inclusive and dynamic. In this frontier society, everyone may have a different past but shares the hope of a prosperous future. Rather than an ethnographic film on a remote outpost, Awara Soup points towards an era of increasingly porous borders where more and more of us are immigrants and the only culture we have in common is change.




Cultural and Social Anthropology
Ethnography
Identity Formation
Communities

"Innovative...It's a pleasure to see an affirming film on a present-day multi-cultural encounter."
--Elaine Charnov, American Museum of Natural History

"A delightfully evocative film... Like all good art, Awara Soup is not polemic. It demonstrates rather than dictates the pleasures of multi-cultural social life."
--Paul Stoller, Film Review Editor, The American Anthropologist

"An excellent film for stimulating discussion about important issues of (trans-) national identity and pluriethnic world-in-the-making that go way beyond most American platitudes about multiculturalism."
--Lucien Taylor, University of California, Berkeley

"Whimsical rather than sentimental, socially incisive rather than righteous, respectful rather than idealizing - it hits the right note...A frank and hopeful assessment of a multi-ethnic society."
--Andrew Ross, New York University


Producer: Marie Clémence Blanc-Paes
Director: César Paes
71 minutes, 1995, France
in French, French Creole, Taki-Taki, Portuguese, Hmong and Javanese with English subtitles

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