Rouch in Reverse

Rouch in Reverse is the first film to look at European anthropology from an African perspective. Malian filmmaker and New York University professor, Manthia Diawara's provocative new film critiques visual anthropology through the work of Jean Rouch, perhaps the most distinguished ethnographic filmmaker living today. The resulting cross-cultural encounter is alternatively affectionate, strained, personal but always insightful - a film no one committed to a truly multi-cultural social science can afford to miss.

In this film, Diawara pioneers what he calls "reverse anthropology" - where the subjects of investigation study their former investigators. He explains: "I made this film on Rouch as a rite of passage for myself. Rouch has played such a key role in the representation of Africans on film. I wanted to pass through Rouch in order to render visible new African voices and images: the ones that defy stereotype and primitivism."

Diawara locates Rouch at the epicenter of 20th century ethnography as a collaborator in the Présence Africaine group with Michel Leiris and Marcel Griaule and as a founder of the cinema vérité documentary movement. The two filmmakers discuss their sometimes contrasting views of clips from such seminal but rarely seen works as Rouch's Les maîtres fous (The Mad Masters), Moi, un noir (Treichville) and Chronique d'été (Chronicle of a Summer). Reflecting on Rouch's forty films, Diawara notes that the same European technology which preserved and appropriated traditional African cultures on film destroyed these same societies.

A cross-section of African intellectuals living in Paris discuss the difficulty of developing identities, simultaneously African and modern, in a society which persists in seeing them as "primitive." Rouch in Reverse enters into a vigorous intertextual dialogue with 20th century ethnography to decenter these familiar images so contemporary Africans can create their own version of the past and the present.




Colonial and Post-Colonial Identity
Historiography and Theory
Cultural and Social Anthropology
Cultural Theory

"Opens a new frontier of scholarly exploration...Moves beyond 'protest' and 'victim' discourse to transform the colonizing 'gaze' into the object of its own rancor-free inquiry."
--Sylvia Winter, Stanford University

"Concise, provocative and proudly personal. Diawara's film reframes an important and controversial figure in African cultural studies, raising crucial questions of race, culture, identity and film."
--Mbye Cham, Howard University

"An insightful portrait of one of the most controversial figures in film and anthropology but also a creative meditation on post-colonial representation itself."
--Christopher L. Miller, Yale University

"Informative, provocative and lots of fun."
--The Christian Science Monitor

"Disrupts any unitary view of representations of West Africa, the history of African film and Rouch's cinematic politics."
--Steve Feld, University of California, Santa Cruz


Producer: Parminder Vir
Director: Manthia Diawara
52 minutes, UK/USA, 1995
in French and English with English subtitles

Video Purchase: $195
Order any 5 titles and save up to 50%!


Special Price for high schools, public libraries and community groups